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Showing posts with label bats. Show all posts
Showing posts with label bats. Show all posts

Tuesday, October 31, 2017

Countdown to Halloween: Trick or Treat (1952)

For the month of October, Cinema 4: Cel Bloc is taking part yet again in an annual internet celebration known as the Countdown to Halloween. To find out more about the Countdown to Halloween, and to see a list of participating websites and blogs, go to http://countdowntohalloween.blogspot.com/.

Trick or Treat (1952)
Dir.: Jack Hannah
TC4P Rating: 8/9
When I hear the words
"Trick or Treat," I don't think of handing out candy, kids coming to the door, or even going door to door myself back in my own too brief time as a costumed kid. I mean, I do think of those very things, but they come paired together with something else entirely.

When I hear the words "Trick or Treat," I instantly think of a certain tune, as in a melody to which the words "Trick or Treat" can be sung, and then I think of what I consider to be the followup line to those words: "Quack quack!" (Or in true Disney Duck-ese, "Wack wack!")

That's right... like so many things in my life, even annual holiday tradition is mostly tied up in stray snippets of animated antics, throwaway lines by Bugs Bunny, ridiculous slapstick, and songs that never came anywhere close to the Top 40. Regular movies, too, dominate my grey matter in a sort of cinematic Slushie, but they are trumped slightly by the influence of cartoons, my first serious love of an art form. In a major disaster, if I indeed believed that the idiocy of "thoughts and prayers" actually did anything at all, it is most likely that all the intended recipient would gain from me would be the flickering image of Jerry the Mouse's Uncle Pecos strumming his guitar and blowing his big, white, droopy mustache out of the way of his mouth so he could sing, "C-C-C-Crambone!"

For years, I couldn't wait for Walt Disney's Wonderful World of Color to air their Halloween show just so I could catch the Donald Duck short, Trick or Treat. It was the greatest thing in the world to me whenever it aired, along with the equally vivid The Legend of Sleepy Hollow. The usually irascible Donald decides to not give Halloween candy when his bratty nephews – Huey, Dewey and Louie – ring his doorbell. He pranks them hard, but he raises the ire of a passing witch, who decides to teach the mean duck an even harder lesson. The premise is simple enough, but this short is absolutely drenched in fantastic Halloween atmosphere and detail.

The title song to Trick or Treat itself is absolutely vital to my memories of the short, of course, though it is the final lesson tag on the song that turns out to be the most singable and, therefore, memorable. But we will get to that later. Let's go to the beginning, where the song starts to play as we see an image of Donald Duck that has been whitewashed onto a fence lining a street. We imagine it was done by either Huey, Dewey or Louie – or most likely all three – and as the credits begin, we hear the voices of the Mellomen singing that title theme...

"Trick or Treat
Trick or Treat
Trick or Treat for Halloween

Better give a treat that's good to eat
If you wanna keep life serene

Trick or Treat (Trick or Treat)
Trick or Treat (Trick or Treat)
Trick or Treat the whole night through

Little scalawags with fiendish gags
Can make it tough on you

So when ghosts and goblins by the score
Ring the bell on your front door

Better not be stingy or your nightmares will come true!"

The credits roll on, showing up on another section of whitewashed fence, on the side of what could be either a red house or a barn, and finally, the title of the short painted on a window. The film proper irises in on a small town in the night time, the camera resting just beyond a rickety fence and the shadow branches of an empty, autumn tree to show us the town beyond. The camera zooms in at the steeple of the local church which cuts through the glow of the yellow moon in the sky behind it.

Suddenly, a dark figure on a broomstick zips across the moon and past the steeple, cackling wickedly. The film cuts sharply to a closeup of a witch's warty, red-nosed face, who flies off on her broomstick into the background to float briefly outside the steeple. A couple dozen pairs of eyeballs light up the black of the belfry, and the witch blows them a raspberry and yells "Boo!" loudly to roust all of the bats into the night air. She grabs her broomstick and uses it to ring the church bell several times as the bats fly air hurriedly, with the witch flying straight through their numbers to disperse them in varied directions.

The melody of Trick or Treat continues to play as the witch lands on a nearby fence and toddles along the top of it, using her broomstick to pop her upward to skip a fencepost or two. She encounters a black cat resting on another fencepost. Leaning forward so that her face meets the cat's, she lifts her pointed cap up over her eyes and says softly, "Boo!" The cat jumps straight up into the air with his bat arched, fur ruffled, and claws out, and caroms off into the night.

The witch continues on her merry way, climbing back on her broomstick and hopping fencepost to fencepost. She next comes upon a large pumpkin, but when the pumpkin suddenly turns and shows the face of a lit Jack-O'-Lantern, even the witch is given a sharp start! She and her broom hide behind a tree and then they see the Jack-O'-Lantern is moving along the top of the fence, seemingly on its own. "What manner of ghoul is this?" she asks curiously, but when the end of the fence is reached, it becomes clear that the Jack-O'-Lantern lies atop the head of a small figure wearing a white sheet to resemble a ghost, only with a tiny duckbill sticking out of a hole in the sheet and feet walking along underneath. Behind the ghost steps a second duckling bedecked in a devil costume (complete with pitchfork), and bringing up the rear, is yet another similarly sized duckling wearing a witch's hat and brandishing a broom over his shoulder.

The ducks are heard singing the Trick or Treat title song, but this time, each real word is replaced by the quack (or wack) of a duck. (Even though there is no part in the film where English and duck are mixed like I described at the beginning of this piece, the effect of the film was that a mashup occurred in my brain for the rest of my life.) As the trio saunters up to the front door of a house, the witch watches them lovingly in mid-air as she sits on her broomstick. Their trick or treating ways and costumes have already won her over as they step in unison to the song, and when they reach the front door, the devil duckling uses his toy pitchfork to press the buzzer on the doorbell.

Inside the house, we get our first non-fence look at Mr. (and Uncle) Donald Duck, who cries out, "Uh oh! It's the boys!" He jumps up to grab a bowl of candy sitting on the table next to his comfy chair, but moves it aside to reveal a couple sets of firecrackers. He opens the door to greet his nephews, and they happily respond with the customary "Trick or treat!" and open their candy bags expectedly. Donald keeps up the ruse of not being a dick by saying, "One for you... and you... and you!" He manages to conceal the true nature of what he has placed in their bags, like any terrorist, and steps back into the house. The boys turn to head to the next house, but their bags suddenly explode... one, two, three!


The noise is loud enough for the witch's broomstick to suddenly rear up like a horse and whinny in terror! The witch manages to grab the stick at the last second, and coax it back to calmness by saying, "Steady, 'Bub! Whoa! Easy there, old boy!" Back at the house, Donald laughs at the saddened faces of his three little nephews as they stare down at the smoldering remains of their now popped and useless candy bags. But Donald, ever the jerk to his own kin, has to escalate things. He reaches up to grab a rope, says "Now here's your... TRICK!" and pulls the rope, which is attacked to a large bucket over the heads of the boys. They get drenched in water, which shouldn't normally be a problem for a duck but they are wearing special Halloween costumes after all and have a full night ahead of them. Donald continues to laugh uproariously at the trio, and then, as he steps back into his house, he yells out "So long, boys!" and slams the door on them. Now, he is a dick, not a duck.

Up high on a tree branch, the witch spies the scene and feels for the little ducks, even while recognizing their true nature. "Oh, bless their little black hearts!" She flies down to them, where Huey, Dewey and Louie are sitting on the edge of a sidewalk, nursing their woes. "I saw the whole thing, kids!" As her broomstick brings her to earth, she tells it, "Down, Beelzebub! Down, please!" The boys spy her and are both shocked and delighted by her presence. "Oh yeah, a real witch!" This overjoys the witch, who shouts out, "Oh joy! Thou do believeth in witches!" She pats each one on the head and says, "Just for that, I'll help thee get thy candy!"

The witch runs up to Donald's doorstep and rings the bell. Inside, Donald is looking through the window and says, "Uh oh! Another one!" He eagerly opens the door, obviously planning more mischief while thinking the witch is just another kid in a costume. "My name, sir, is Hazel," begins the witch in introduction, "Witch Hazel, that is!" Donald, ever dubious, doesn't hesitate to reach out, say "Oh, yeah?" and pull on her nose, stretching it about a foot! He lets go of her nose and as Hazel is thrown backwards, she is doused with more water from the bucket above her head. Donald laughs again and slams the door on her.

Hazel and Beelzebub run back to the boys, where she says to the ducklings, "That quacking rogue is tougher than I thought!" She grabs the boys and forms them into a football huddle, with the broom struggling to find a decent entry point. "We're going to need some gruesome ingredients," she tells them, "A cauldron of swamp water" is heard just before the scene fades out. Not long afterward, the shadow of Witch Hazel looms large on an empty, orange wall in an alleyway as she spreads her arms over a bubbling cauldron. She begins an incantation, which gets going rather traditionally with the Shakespearean intro...

"Double, double toil and trouble; 
Fire burn and caldron bubble..."

...but then things turn far cuter than the usual body part version of the Bard's ingredient list...

"Eye of needle, tongue of shoe,
Hand of clock that points at two!"

Witch Hazel stops briefly to place a finger under Devil Dewey's chin and says sweetly, "This is the real thing, y'know? Right out of Shakespeare!" She picks up the next set of instructions as the boys continue to bring her the necessary wares...

"Neck of bottle, tail of coat..."

She hesitates slightly as she considers the final item...

"Whiskers from... the billy goat!"

She cackles her wild laugh again as the ghostly Huey brings her a pair of whiskers, saying, "Here you are, Hazel!" She admires the whiskers for a second, gasping "Ah... repulsive!" She drops the goat whiskers into the pot and there is a huge flash of flight from the concoction before it erupts in a miniature nuclear explosion. The boys are shown in closeup with their faces briefly green and then red from the changing colors of the blast, their mouths agape in wonder.

Hazel hops up the cauldron to taste test her brew. "Delightfully gruesome reaction!" is her response to the explosion, but when she tastes it, she spins about in place while her hat pops off her head to the sound of firecrackers. She spins back up to stop in front of the boys. Almost drunk on the potion, she kicks out her foot and tells them, with a hiccup and her voice modulated to sound affected, "Kids! This stuff's loaded!" She picks up a Flit gun (look it up, though I could have just said "bug sprayer") and soaks up a massive dose of the potion. While she does this, Beelzebub whinnies in triumph, flies up under the rears of Huey, Dewey and Louie, picks them up, picks up Hazel, and the group rides off into the night sky.

At Donald's house, the greedy duck is picking out some grapes from his overcrowded pantry when he hears the distant cackle of Witch Hazel, still riding through the air with Donald's nephews. "What in the heck was that?" Donald asks, in one of my favorite reactions ever in a Donald Duck cartoon. He runs to look out the window, and sees his nephews riding along with the witch. "No!" he says, rubbing his eyes, "I don't believe it!" They scream in delight as the broomstick whisks this way and that, and poor Donald has no idea what is in store for him. The title music to Trick or Treat starts up again as the Mellomen pick up their song once more, as the cartoon switches gears just past the halfway mark of its 8-minute running time from very entertaining to truly amazing...

"Trick or Treat
Trick or Treat
Trick or Treat for Halloween...

When the pumpkin shells cast evil spells..."

Witch Hazel and the boys fly up to the normal, smiling Jack-O'-Lantern sitting on Donald's fencepost and squirt some of the potion on it. The once safe, complacent pumpkin whirls about in midair, its friendly mouth contorting and stretching while growing huge, sharp fangs. Its eyes switch to a devilish glare as the Jack-O'-Lantern leaps to Donald's window and wails and moans wildly and incomprehensibly in the frightened duck's face!

The Mellomen continue...

"...Your little white house turns green!
Your little white house turns green!
Your little white house turns green!"


Hazel flies the broom to the side of Donald's abode and sprays a paintbrush sitting in a bucket of open paint. The brush comes to life and starts to paint a zigzagging green stripe along Donald's white house. The duck opens the window to protest how stupid all of this is, but the brush flies right past his face, painting it green in the process.

Hazel sprays an older style fence where three poles meet up in corner. As the fenceposts turn into a trio of spooks, the Mellomen sing...

"Every post is a ghost
If you've got a witch's brew..."

Hazel then sprays the gate on a fence...

"And if you want your gate
To circulate – Ho! Ho! – ..."

...which comes to life by springing up in the air, where a solo ghost plays it like a harp, singing...

"...We can do that too!"

From his window, Donald's expression turns to one of sheer fright as he sees the ordinary items in his yard turn into ghosts and demonic pumpkins, who continue to sing as they march up to Donald's doorstep...

"Trick or Treat (Trick or Treat)
Trick or Treat (Trick or Treat)
Trick or Treat for Halloween

When ghosts and goblins by the score
Ring the bell on your front door

You'd better not be stingy or..."

Just before the final line, the evil-looking Jack-O'-Lantern flies all the way up to Donald's face to sing in its dark, deep voice...

"...Your nightmares will come true! Oooh-oooh!"

The shocked and exhausted Donald stands in his doorway as Hazel and the boys fly through the front door and push Donald all the way through the house and peg him against the door of the pantry with the end of the broomstick. "Now, are you going to treat," asks Hazel of the greedy duck, "or not?" He agrees to their demands, and turns to start gathering goodies from his pantry. Hazel tells the boys, "Kids, this pigeon's a pushover!" Donald hears the word "pushover," and it turns him back to his normal self right away. He starts to slam the goodies back into the pantry and then swallows the key to the door for good measure. (Hazel even listens closely to his stomach as he swallows it, where we hear it rattle against other metallic items. It is probably not the first time he has resorted to such tactics.)

Hazel will not be deterred. "I've just been itching to cast a spell on you!" Beelzebub has clearly heard this before, as the excited little broom runs in place for a second or so before rushing forward to run up behind Donald and pick him up off the floor by his shirt collar. With the soles of Donald's duck feet before her, Hazel begins an incantation as she sprays the magical concoction on those feet...

"Hocus pocus!
Magic shower!
Put his feet
Within my power!"


The broom releases Donald, who can only look down helplessly as he loses control of his own two feet, which kick and shuffle about wildly. As the potion kicks in fully, his feet turn blue and raise him magically off the floor briefly. As he touches the floor, Donald asks, "Hey! What was that stuff?" but before he gets an answer, Hazel orders, "Feet! Kick out that key!" His feet flutter magically again and then the right foot stretches out and kicks Donald in the stomach. Then both feet join together and kick him several times, finally settling into a sustained rhythm. At the sound of the beat, Hazel cries out, "Yippie! Look at him dance!" The broom runs into the witch's arms, and she strums the broom like a guitar and starts singing a hoedown tune...

"Oh, dance with your feet just as fast as you can!
A-flippin' like a flapjack..."

Donald's legs stretch out and then slap together hard...

"...In a pan!
Oh, a-hoppin' and a-jumpin' like a flea on a griddle!
The key for the door is the key for the vittles!"

Donald bounces on his rear end several times, so that the key finally shoots up out of his mouth, but he manages to grab it and swallow it again. HIs blue, enchanted feet keep kicking him in the rear and stomach, and he is sent flying up into pots and pans hanging from his kitchen ceiling. He crashes his head into each one in time with the music of the witch's song. Hazel continues...

"Do-si-do! Now mind the rules
With your own flat feet just a-kickin' like mules!"

Hazel applies even more potion to the soles of his feet, and Donald rears up exactly like said mule, kicking wildly into the air and snorting out of his nose. Hazel sprays more potion to turn a tiny plant into a huge cactus as Donald's feet pull him across the room towards it.

"Oh, promenade away out west!
That's where the cactus grow the best!"

The cactus pokes Donald in the rear end and he cries out, but when the keep leaps back out of his mouth, he grabs it firmly in his teeth. Still gripping it there, the witch sings...

"Now swing down south
and turn on the heat!"

Donald's feet turn his rear towards the hearth of the fireplace, where a smoldering fire awaits him. Donald panics and grabs the rug, but his body simply stretches out farther and farther towards the fire, his bewitched feet compelled to obey all orders. Hazel concludes the song...

"Now end the dance
And take your seat!"

The fire singes Donald's tail feathers slightly, and he drops the key onto the floor. The ducklings and the witch celebrate their triumph, but Donald isn't done yet after he hears Hazel say cockily to his nephews, "Nothin' to it!" He says his standard catchphrase, "Oh yeah?" and flings the key underneath the locked pantry door. This infuriates the witch, who hops up into the air so hard we see that she is bald underneath a wig, as she yells, "Now you've made ol' Hazel mad!" She runs up to the duck and sprays his feet with renewed vigor, chanting...

"I'll cast a spell that's double grim!
Smash that door down, feet... with HIM!"

"What?" cries a surprised Donald, but there is no stopping this spell. He begs and pleads, but his feet ram his head several times into the door of the pantry. The door does not give way, and as Donald twirls his dizzy way across the room, Hazel continues to spray his feet. She tells him...

"This hurts me more than it does you!
Now, take a longer start... ABOUT A MILE OR TWO!"

Donald cannot help himself as his feet carry him out the front door and all the way up a distant hill, where he is framed by the full moon. Hazel tells the boys to be ready "'Cause here he comes!" Donald charges through the night air at full force all the way to the house and through the pantry door. There is a huge crash and we then see Donald lying prone on the floor surrounded by piles of candy and goodies. The broomstick starts sweeping around him in a surprisingly natural activity. Hazel says to the boys, "I thought he'd listen to reason."

Huey, Dewey and Louie run up to their uncle and his now open supply of goodies and start collecting their rightful share. "Hooray for Uncle Donald!" they yell out, but the poor duck can only sit up and protest with "I won't do it!" Beelzebub, handy as ever, taps him hard on top of his noggin and knocks Donald out for the night. Hazel realizes it is almost dawn and calls her loyal broomstick to her side. She waves goodbye to the boys, and they wave back with glee. The smooth voices of the Mellomen return to close out the cartoon...

"So when ghosts and goblins by the score
Ring the bell or pound your door

Better not be stingy or your nightmares will come true--ooooooh!"

As Witch Hazel and Beelzebub climb up to fly across the moon, a Jack-O'-Lantern leaps up into the full frame of the cartoon and says a simple "Boo!" while smiling merrily at the camera. Iris out.

So, apart from the fact that three youngsters from a dysfunctional family talk to a complete stranger on a dark night, are coerced into performing black magic, and then willingly take part in a home invasion and robbery of their abusive uncle's household, this is a pretty great family cartoon, right? Well, I think so, but I don't have kids to worry about, so I will leave your decision on the matter to you and yours. For me, this cartoon has completely captivated me since I first saw it as a kid until watching a couple of times again just today.

This is probably my favorite short out of all director Jack Hannah's work, and it stands as a marvelous example of topnotch latter Disney – as in the stage where the shorts series were winding down for Mickey, Pluto, and Goofy by 1953, but Donald remained as the sole regular series for several more years. Trick or Treat, befitting its title, is just dripping with Halloween atmosphere from start to finish, with a couple of decent scares (that fanged Jack-O'-Lantern!) included with the laughs. And while I am a massive Donald fan, the best part of many of these shorts is when the duck gets his comeuppance for his rudeness and downright pettiness; this film follows through on that promise in high order. There are actually three stages to the revenge the witch gets on him as he continues to fight back and be as ornery as possible. I would admire his pluck if it weren't so much in service of his sheer greed, especially against his own relations.

Besides the Mellomen's singing, three other voices are prominent in Trick or Treat. Of course, Clarence "Ducky" Nash provides the quacks and often indecipherable language of everyone's favorite ducks, and that deep voiced Jack-O'-Lantern is none other than Disney regular Thurl Ravenscroft, himself a member of the Mellomen and one of their founders. The most memorable role in the film is, of course, Witch Hazel, and she was brought to life by master voice talent June Foray (herself sadly departed this past July at the age of 99). Foray, famous for voicing Tweety's Granny at Warner Brothers as well, would also (eventually) provide the voice for a separate character named Witch Hazel for Chuck Jones. (Bea Benaderet performed the role for Jones in the first film he did with the character, and then Foray took over thereafter) My all-time favorite of June's roles was Rocky the Flying Squirrel in the Bullwinkle series, but I have a special place in my heart for her work in Trick or Treat.

And then there is the music, with not just one original tune, but two, though the hoedown is pretty standard with its only real distinction being the directions she gives Donald's feet. But that theme song has resonated with me through the years, and has gone through my head each October for the past 50 years or so. Sure, as I mentioned far above, the song in my head is in slightly altered form from the one sung in the cartoon. But who among us hasn't twisted a song lyric here and there to fit our mood or situation? I do it all the time, and every Halloween, you will hear me marching along (in step with Huey, Dewey and Louie in the cartoon), singing...


"Trick or Treat (Trick or Treat)
Trick or Treat (Trick or Treat)
Trick or Treat for Halloween

When ghosts and goblins by the score
Ring the bell on your front door

You'd better not be stingy or
Your nightmares will come true-oooohhh!"

Happy Halloween, friends and followers...

RTJ

*****

"Trick or Treat" is readily available to buy on DVD or watch on Disney+.

Sunday, October 08, 2017

Countdown to Halloween: Wot a Night (1931)

Wot a Night (1931, Van Beuren Studios)
Dir.: John Foster and Vernon Stallings
TC4P Rating: 5/9


When Walt Disney and Ub Iwerks made and released The Skeleton Dance in 1929, it had a huge influence on the cartoon industry at large. (And if you are wondering when I will get to The Skeleton Dance on this site, don't worry... it's coming up very soon.) It is hard to find an animation studio that didn't fill the frames of a short or seven with dancing, laughing skeletons in the early 1930s. Not that skeletons weren't used in animation before The Skeleton Dance, but the huge success of the Disney short made sure that skeletons would not go away as subject matter for many, many years.

Most films that use skeletons as the main characters are usually comprised of very simple, blackout gags and there is usually nothing that really connects any one scene to the next, except perhaps for the general air of spookiness. To connect things together, however loosely, what is needed are a protagonist or two. The human cartoon duo of Tom and Jerry, early stalwarts of the Van Beuren Studios, had an entire series built out of little more than unconnected blackout gags, with very little relatable plot at all, and so combining their tall guy-little guy antics with a pack of frightening skeletons and assorted ghosts was a natural fit.

In Wot a Night, the initial entry in the Tom and Jerry series, our first clue that the night will not be a normal, quiet one is the opening shot of a rain-drenched railroad depot. The wind whirls and whips at the depot so hard that its single building, every object on its platform, the nearby telephone poles, and even a taxi are nearly knocked over with each howling blast. Inside that taxi sit a napping Tom and Jerry – once again, the human non-MGM versions, mind you – and they seem almost oblivious to the weather as the rain and gale force winds smack them directly in the faces. In fact, the taxi itself is taking the storm far worse than they are, as its grill becomes a face that spits out water and shivers and shakes in the cold.

Tom and Jerry, at the provocation of an approaching railroad whistle, suddenly wake up and look with bleary eyes through the storm before them. They leap excitedly from the taxi while the train pulls into the station and peer into the distance, but a savage bolt of lightning hits them glancingly and then a blast of cold rain drenches them. They practically swim back through the air into the warmth and relative safety of the back of the taxi. The train is shown approaching the station on wide oval wheels (for some reason), and it clatters up and down with each rotation of the wheels. Without warning, the tracks are completely flooded by the rain, and several pairs of long oars pop out of the windows of the single passenger car and attempt to row the train towards the station. The train makes it out the flood area and reaches home, with the spent vehicle turning and arching its back to the tune of Shave and a Haircut, and at the "two bits" part, it rears up like a cat or dog and practically poops out its only two passengers onto the ground. (This really makes you wonder about who it was rowing all those pairs of oars.)

The two passengers are a couple of very tall, identical, bearded weirdos, wearing stovepipe hats atop their heads. They head towards the taxi where they are greeted happily by cab drivers Tom and Jerry. However, as our heroes attempt to exhort the pair of weirdos into their cab with cries of "Taxi!" and "Cab!," (practically the only dialogue in the film that isn't sung), the twin beardies turn away from the cab and walk away along the boardwalk. Tom runs ahead of them and herds them back, and it is noticeable that the pair walk oddly with their heads almost stabbing forward on long necks almost like ostriches, though the style of walk is more akin to that of chickens. Once in the cab, Tom peels out of the station, the car spitting mud behind them, but very quickly, the cab finds itself almost completely flooded by the storm.

With the cab having a hard time moving forward through the flood, we see the compartment in the back with the twin weirdos, who find themselves confronted with a very odd companion: a massive frog who swims into the cab through the window. The frog makes a couple of grunting noises and then performs a back flip through the water and swims away. Tom gradually guides the cab through the deep water, and as he does, a pair of rods pop up out of the back of the cab, drop down into the water, and winch the twin weirdos up above the water's surface inside what appears to be a small rowboat or scoop. The weirdos doff their caps in unison in salute to Tom's efforts to help them, a whistle sounding on the soundtrack as their sole mode of discourse. Soon, Tom drives the cab up out of the water and the weirdos now ride high up in the air above inside the rowboat through the rain.


Eventually, they reach a castle sitting atop a large plateau with an entrance through a cave far below the castle. The weirdos are winched back down to the ground, where they step backwards out of the boat, and then march oddly into the cave without paying for Tom and Jerry's services. The boys are not happy with this and chase after them through the door of the cave, but an iron portcullis drops down behind them, sporting a large lock on its gate, and Tom and Jerry find themselves trapped.

High atop the castle, things start to get real spooky. Storm clouds are seen rumbling above the castle, and then one cloud forms its own head and arms and looks down at the castle. The cloud reaches out and starts to play a boisterous tune on the battlements of the castle, pressing down on the merlons along the wall as if playing a pipe organ, with the resulting sounds emitting from the various turrets and other towers forming the top of the castle. In the fields nearby, a pair of trees start playing their branches like flutes to finish the tune

Inside, Jerry paces about with his hands in his pockets. He calls Tom into the room and shows him a set of blinds on a window. Tom begs him not to open it, but Jerry does, revealing nothing but darkness through the window. Behind them, however, a large bat-like creatures flies up out of a hole in the floor. It spreads its huge wings, easily dwarfing the pair in size, but it does nothing more than grimace wickedly as it flies away towards the camera. (As in most other Tom and Jerry shorts, the taller Tom is the bigger 'fraidy cat, and that holds here as well, with Jerry almost nonchalantly gliding through the scenario with little surprise on his face.)

Tom runs into another room and finds an open door where a sign reads "Private" alongside it. A skeleton walks right past them into the room, and then we see the pair as they look into the room, where the skeleton is shown toweling himself off while standing in a slowly draining bathtub. The skeleton whistles and seems not to give Tom and Jerry any notice, and not only rubs down his arms and legs with the towel, but also runs the length of cloth entirely through his empty ribcage. He turns and sees the boys standing there gawking and then panics, screaming and leaping into the air while holding its head in shock! Before they know it, the skeleton spins tightly into a whirl and is sucked down the drain of the tub along with the water!

Tom and Jerry slowly turn around in the hallway and find that there are dozens are ghosts standing directly behind them. Jerry shows no worry, but as Tom finishes yelling at the skeleton in the other room, he turns around, sees the ghosts and drops into a dead faint. His collapsing body causes part of the floor to break away and they fall into the level below, where another skeleton is painting piano keys onto a small ledge in the wall. After he sloshes more paint at the wall to create sheet music, he then pours the rest of the paint from his bucket onto the ground, where it forms into a small stool. He spins the stool seat to meet his rear end so he can begin to play, but the stool refuses to go any higher and forms a face that mocks the skeleton. So the creep spins his lower spine and pelvis instead so that it drops down towards the stool.

In the catacombs nearby, the piano music brings to life a couple dozen skeletons that had previously been shown to lie dashed and crumpled along the ground. They get up, find partners, and begin to dance elegantly to the music. Back at the piano, a female skeleton with hoop earrings and a skirt, plays a pair of castanets while the music takes on a more Spanish air. Tom and Jerry watch the dance from another room, but behind them (in a very odd throwaway gag) a large glove (with two small legs and feet sticking out of it) dances along a shelf next to them. At a break in the song, the glove stops dancing and spreads its fingers, forming an even larger (but not that large) shadow on the wall adjacent. The boys turn to look at the glove, and Tom panics yet again, racing from the room with Jerry tagging along quietly behind him.

In the next room, Jerry finds an umbrella lying on the floor, so he picks it up and starts to play it like an accordion (as you do). From the darkness appear the heads of four other skeletons, who seem to be done up for a minstrel show. [Here comes more of that casual 1930s racism...]

The lead skeleton sings:

"In the Good Book it says that Cain slew Abel..."

And then the other three skeletons provide the choir...

"Yes, good Lawd!"

The first one sings the next line of his tale, with the call and response style continuing for a while...

"He hit him on the head with the leg of a table..."
(Choir) "Yes, good Lawd!"
"Didn't Daniel in the lion's den..."
"What he do?"
"He said unto those colored men..."
"What he say?"
"Ya'll wanna get to hebbin?"
"Sho'! Sho'!"

The lead skeleton then takes the next verse himself...

"Den cut out all yo' crapshootin'
an' git on your long white robe
an' your starry crown!
Be ready when de great day comes!"

All four skeletons join voices for the chorus of the song...

"Good lord, I'm ready
Indeed, I'm ready
Oh, good lord, I'll be ready when the great day comes!"

Sitting all the way to left, the fourth skeleton takes a brief, bass solo...

"Good glory hallelujah!"

After the next refrain, the bass skeleton finishes the song portion of our program with a deepening run down the words, "...the... great... day... comes".

At the conclusion of the gospel song, Jerry pulls out a pair of dice and rolls a seven. The four black skeletons can't keep themselves from leaping onto the dice, but it spells their doom and they end up shattering in dozens of pieces instead. Running outside, Tom trips over a rock and smashes his face into the ground. As he lies there prone, we see large black footsteps tracking up towards Tom, and when they reach his head, the footsteps roll up into a ball and then burst into the shapes of the two tall weirdos who took the cab to the castle in the beginning. Tom panics and his underwear-clad body jolts from out of his clothes, slithers around to the back of his suit, and then climbs back inside again.

Jerry finally catches up and both pairs – Tom and Jerry and the bearded weirdos – take turns eyeing each other quizzically. One weirdo turns to the other one and nods his head, making a "mmm-hmmm" noise of approval. The other weirdo makes the same noise and nods back to the first. They both point their index fingers in the direction of Tom and Jerry and then walk away. Tom turns and points his finger at his smaller partner, and Jerry lifts his shirt to discover that there is nothing but a skeleton underneath. Tom is shocked, but all he does is turn away from Jerry, buried his face in his hand and snicker at what has happened to his buddy.

But Jerry moves over to Tom and lifts the back of his shirt to also reveal naught but a skeleton's bones. Panicking yet again, Tom turns and looks down at his chest. His shirt pops open and he sees nothing but ribs. He screams and runs offscreen. Jerry runs after him, and then the pair are shown running away with their hands waving above their heads. Their pants are starting to fall off and revealing even more bones. Tom briefly stops and cries in vain at Jerry, and then both continue running and waving as the film irises to a close.

The film is no great shakes as an adventure or as animation, but it does have moments that transcend the general blandness. The opening set-up of the drenched rail station and the tale leading up to the arrival at the castle is an appropriately eerie and imaginative beginning. It actually makes you think that something greater is going to occur once the castle is reached, but the bat/vampire sequence doesn't pay off (I will grant them that it is quite weird), much in the same way that the giant frog in the cab is an interesting touch but does nothing for the film in the end except give it a fleeting sense of true surrealism. The skeleton sequences are fun in bits, but to be seen as anything but a play off of what The Skeleton Dance did so simply and brilliantly, you've got to bring a little bit more.

The dynamic between Tom and Jerry is always what brings the most enjoyment to me out of their films. Tom is a big, tall basket case in any situation and useless in a fight for their lives, but Jerry – the more diminutive one who is roughly the shape and size of a cannonball with limbs – is always utterly calm in any situation. He usually stands with his hands in his pockets, taking in whatever is happening before them, and then either acting or exiting depending on the severity of their danger. In this film, it takes his ultimate magical turn into a skeleton to finally lose his composure, but before that, he could almost be sleepwalking through most scenes. In contrast against the more manic Tom (who has a couple of good moments, especially when he crawls out of his clothes in his long johns), Jerry is quite enjoyable to watch here.

The more racist themes that pop up often in the series are here in its very beginning as well. In late September, I posted a piece on another Tom and Jerry short from a year later than this one called Plane Dumb. [You can read that article here.] That adventure, in which the pair travel to Africa, is a full-on blackface-makeup adventure, so at least this film doesn't go quite as far in offense. But this one does contain the first version of a sequence that is replicated in Plane Dumb: the animation and music (though a longer take) of the four black skeleton minstrels that Tom and Jerry encounter. It is unfortunate that otherwise light, silly cartoons are tainted by such sequences, but that's history, folks. You gotta take the lumps with the smooth.

As a Halloween cartoon, though, this one has the goods, in quantity if not quality. Perhaps parents looking for a safe cartoon for the kiddies might want to steer clear for those particular scenes, but experienced adults can make up their own minds for their party atmosphere.

Until the next haunting time,

RTJ

*****

And in case you haven't seen it...